AuthorCAT — write your own illustrated novel — for authors
  1. A lone brick house at Upper Halliford sits in a clearing as black smoke closes in

    Island in the smoke

    In the first book I have wandered so much from my own adventures to tell of the experiences of my brother that all through the last two chapters I and the curate have been lurking in the empty house at Halliford whither we fled to escape the Black Smoke. There I will resume. We stopped there all Sunday night and all the next day—the day of the panic—in a little island of daylight, cut off by the Black Smoke from the rest of the world. We could do nothing but wait in aching inactivity during those two weary days.

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  2. A Martian steam jet bursts through the front-room windows of the empty house at Halliford.

    Scalded flight

    A Martian came across the fields about midday, laying the stuff with a jet of superheated steam that hissed against the walls, smashed all the windows it touched, and scalded the curate’s hand as he fled out of the front room. When at last we crept across the sodden rooms and looked out again, the country northward was as though a black snowstorm had passed over it. Looking towards the river, we were astonished to see an unaccountable redness mingling with the black of the scorched meadows.

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  3. The narrator and the curate walk east toward Richmond Bridge along a road buried in black dust.

    Pompeii road

    In Sunbury, and at intervals along the road, were dead bodies lying in contorted attitudes, horses as well as men, overturned carts and luggage, all covered thickly with black dust. That pall of cindery powder made me think of what I had read of the destruction of Pompeii. We got to Hampton Court without misadventure, our minds full of strange and unfamiliar appearances, and at Hampton Court our eyes were relieved to find a patch of green that had escaped the suffocating drift. We went through Bushey Park, with its deer going to and fro under the chestnuts, and some men and women hurrying in the distance towards Hampton, and so we came to Twickenham. These were the first people we saw.

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  4. Near Kew at dusk, the narrator and the curate stop dead on a white suburban road.

    Upperworks over the roofs

    Then suddenly, as we approached Kew, came a number of people running, and the upperworks of a Martian fighting-machine loomed in sight over the housetops, not a hundred yards away from us. We stood aghast at our danger, and had the Martian looked down we must immediately have perished. We were so terrified that we dared not go on, but turned aside and hid in a shed in a garden. There the curate crouched, weeping silently, and refusing to stir again.

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  5. At twilight, the narrator and the curate stand frozen on the Kew road.

    The Martian gathers them

    That second start was the most foolhardy thing I ever did. For it was manifest the Martians were about us. No sooner had the curate overtaken me than we saw either the fighting-machine we had seen before or another, far away across the meadows in the direction of Kew Lodge. Four or five little black figures hurried before it across the green-grey of the field, and in a moment it was evident this Martian pursued them. In three strides he was among them, and they ran radiating from his feet in all directions. He used no Heat-Ray to destroy them, but picked them up one by one. Apparently he tossed them into the great metallic carrier which projected behind him, much as a workman’s basket hangs over his shoulder.

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  6. A blinding green flash floods the dark kitchen at Sheen; the narrator and curate freeze

    Green glare

    “It can’t be midnight yet,” I said, and then came a blinding glare of vivid green light. Everything in the kitchen leaped out, clearly visible in green and black, and vanished again. And then followed such a concussion as I have never heard before or since. So close on the heels of this as to seem instantaneous came a thud behind me, a clash of glass, a crash and rattle of falling masonry all about us, and the plaster of the ceiling came down upon us, smashing into a multitude of fragments upon our heads. I was knocked headlong across the floor against the oven handle and stunned. I was insensible for a long time, the curate told me, and when I came to we were in darkness again, and he, with a face wet, as I found afterwards, with blood from a cut forehead, was dabbing water over me.

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  7. Grey dawn through a triangular gap in the broken wall shows the wrecked kitchen at Sheen

    Light through the triangle

    Our situation was so strange and incomprehensible that for three or four hours, until the dawn came, we scarcely moved. And then the light filtered in, not through the window, which remained black, but through a triangular aperture between a beam and a heap of broken bricks in the wall behind us. The interior of the kitchen we now saw greyly for the first time.

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  8. Through a gap in the rubble, a fighting-machine stands still over the glowing cylinder

    The sentinel

    As the dawn grew clearer, we saw through the gap in the wall the body of a Martian, standing sentinel, I suppose, over the still glowing cylinder. At the sight of that we crawled as circumspectly as possible out of the twilight of the kitchen into the darkness of the scullery.

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  9. Buried in the dark scullery, the narrator sits against the stone sink, his temple bruised

    "The fifth cylinder"

    “The fifth cylinder,” I whispered, “the fifth shot from Mars, has struck this house and buried us under the ruins!”

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