1. Watson stoops out of the low doorway of the stone hut with his revolver still in hand.

    Holmes on the stone

    I stooped under the rude lintel, and there he sat upon a stone outside, his grey eyes dancing with amusement as they fell upon my astonished features. He was thin and worn, but clear and alert, his keen face bronzed by the sun and roughened by the wind. In his tweed suit and cloth cap he looked like any other tourist upon the moor, and he had contrived, with that catlike love of personal cleanliness which was one of his characteristics, that his chin should be as smooth and his linen as perfect as if he were in Baker Street.

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  2. In the stone hut, Watson freezes as Holmes says Miss Stapleton is Stapleton's wife

    His wife

    “I am giving you some information now, in return for all that you have given me. The lady who has passed here as Miss Stapleton is in reality his wife.”

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  3. In the twilit stone hut, suspicion hardens into certainty in Watson's eyes.

    The naturalist unmasked

    All my unspoken instincts, my vague suspicions, suddenly took shape and centred upon the naturalist. In that impassive colourless man, with his straw hat and his butterfly-net, I seemed to see something terrible—a creature of infinite patience and craft, with a smiling face and a murderous heart.

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  4. Holmes has just told Watson, "It is murder," in the dark stone hut.

    It is murder

    “It is murder, Watson—refined, cold-blooded, deliberate murder. Do not ask me for particulars. My nets are closing upon him, even as his are upon Sir Henry, and with your help he is already almost at my mercy. There is but one danger which can threaten us. It is that he should strike before we are ready to do so. Another day—two at the most—and I have my case complete, but until then guard your charge as closely as ever a fond mother watched her ailing child. Your mission today has justified itself, and yet I could almost wish that you had not left his side. Hark!”

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  5. The scream tears across the night moor, and Holmes springs to the low doorway of the stone hut, a stooping black outline against the violet sky.

    Outline in the doorway

    Holmes had sprung to his feet, and I saw his dark, athletic outline at the door of the hut, his shoulders stooping, his head thrust forward, his face peering into the darkness.

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  6. Holmes's match shows his fingers thick with blood from the figure at the cliff foot

    Blood in the match light

    A low moan had fallen upon our ears. There it was again upon our left! On that side a ridge of rocks ended in a sheer cliff which overlooked a stone-strewn slope. On its jagged face was spread-eagled some dark, irregular object. As we ran towards it the vague outline hardened into a definite shape. It was a prostrate man face downward upon the ground, the head doubled under him at a horrible angle, the shoulders rounded and the body hunched together as if in the act of throwing a somersault. So grotesque was the attitude that I could not for the instant realise that that moan had been the passing of his soul. Not a whisper, not a rustle, rose now from the dark figure over which we stooped. Holmes laid his hand upon him and held it up again with an exclamation of horror. The gleam of the match which he struck shone upon his clotted fingers and upon the ghastly pool which widened slowly from the crushed skull of the victim. And it shone upon something else which turned our hearts sick and faint within us—the body of Sir Henry Baskerville!

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  7. The match burns down to its last ember over the face-down body in the ruddy tweed suit.

    The ruddy tweed

    There was no chance of either of us forgetting that peculiar ruddy tweed suit—the very one which he had worn on the first morning that we had seen him in Baker Street. We caught the one clear glimpse of it, and then the match flickered and went out, even as the hope had gone out of our souls. Holmes groaned, and his face glimmered white through the darkness.

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  8. Alone on the moonlit summit, Watson shakes his fist at the Stapletons' far light

    Fist at the light

    We stood with bitter hearts on either side of the mangled body, overwhelmed by this sudden and irrevocable disaster which had brought all our long and weary labours to so piteous an end. Then as the moon rose we climbed to the top of the rocks over which our poor friend had fallen, and from the summit we gazed out over the shadowy moor, half silver and half gloom. Far away, miles off, in the direction of Grimpen, a single steady yellow light was shining. It could only come from the lonely abode of the Stapletons. With a bitter curse I shook my fist at it as I gazed.

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  9. Watson and Holmes turn the dead man over and see Selden the convict, not Sir Henry

    Selden's face

    With feverish haste we had turned the body over, and that dripping beard was pointing up to the cold, clear moon. There could be no doubt about the beetling forehead, the sunken animal eyes. It was indeed the same face which had glared upon me in the light of the candle from over the rock—the face of Selden, the criminal.

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  10. Across the moonlit moor a small red cigar-glow comes toward Holmes and Watson as they stand over the dead convict at the foot of the cliff.

    The cigar glow

    A figure was approaching us over the moor, and I saw the dull red glow of a cigar. The moon shone upon him, and I could distinguish the dapper shape and jaunty walk of the naturalist. He stopped when he saw us, and then came on again.

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  11. Stapleton looks up from the dead convict under the white moon.

    A ghastly face

    Stapleton turned a ghastly face upon us, but by a supreme effort he had overcome his amazement and his disappointment. He looked sharply from Holmes to me. “Dear me! What a very shocking affair! How did he die?”

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  12. Under the risen moon at the foot of the cliff, Holmes gives Stapleton a small, courteous bow.

    Holmes bows

    My friend bowed his compliments. “You are quick at identification,” said he.

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  13. Chapter 15

    Holmes Revealed; Selden Dies in Sir Henry's Place

    Next chapter: The Portrait and the Trap Read this chapter