1. Alice, only nine inches tall, stands in the tall grass at the edge of the wood.

    The Fish-Footman raps

    For a minute or two she stood looking at the house, and wondering what to do next, when suddenly a footman in livery came running out of the wood—(she considered him to be a footman because he was in livery: otherwise, judging by his face only, she would have called him a fish)—and rapped loudly at the door with his knuckles. It was opened by another footman in livery, with a round face, and large eyes like a frog; and both footmen, Alice noticed, had powdered hair that curled all over their heads. She felt very curious to know what it was all about, and crept a little way out of the wood to listen.

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  2. Fish- and frog-faced footmen in powdered curls face each other solemnly at the door

    The Frog-Footman opens

    For a minute or two she stood looking at the house, and wondering what to do next, when suddenly a footman in livery came running out of the wood—(she considered him to be a footman because he was in livery: otherwise, judging by his face only, she would have called him a fish)—and rapped loudly at the door with his knuckles. It was opened by another footman in livery, with a round face, and large eyes like a frog; and both footmen, Alice noticed, had powdered hair that curled all over their heads. She felt very curious to know what it was all about, and crept a little way out of the wood to listen.

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  3. The Fish-Footman solemnly hands the Frog-Footman a letter almost as big as himself.

    The great letter

    The Fish-Footman began by producing from under his arm a great letter, nearly as large as himself, and this he handed over to the other, saying, in a solemn tone, “For the Duchess. An invitation from the Queen to play croquet.” The Frog-Footman repeated, in the same solemn tone, only changing the order of the words a little, “From the Queen. An invitation for the Duchess to play croquet.”

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  4. The two footmen bow low over the Queen's invitation, and their powdered curls tangle

    Curls entangled

    Then they both bowed low, and their curls got entangled together.

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  5. Alice has just hidden in the wood to stop herself laughing out loud.

    Alice peeps out

    Alice laughed so much at this, that she had to run back into the wood for fear of their hearing her; and when she next peeped out the Fish-Footman was gone, and the other was sitting on the ground near the door, staring stupidly up into the sky.

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  6. Alice knocks timidly at the Duchess's little door.

    Knocking beside the Footman

    “There’s no sort of use in knocking,” said the Footman, “and that for two reasons. First, because I’m on the same side of the door as you are; secondly, because they’re making such a noise inside, no one could possibly hear you.” And certainly there was a most extraordinary noise going on within—a constant howling and sneezing, and every now and then a great crash, as if a dish or kettle had been broken to pieces.

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  7. From tiny Alice's view below, the Frog-Footman keeps talking with eyes fixed on the sky

    Eyes on the sky

    “There might be some sense in your knocking,” the Footman went on without attending to her, “if we had the door between us. For instance, if you were inside, you might knock, and I could let you out, you know.” He was looking up into the sky all the time he was speaking, and this Alice thought decidedly uncivil. “But perhaps he can’t help it,” she said to herself; “his eyes are so very nearly at the top of his head. But at any rate he might answer questions.—How am I to get in?” she repeated, aloud.

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  8. A plate from the Duchess's door grazes the Frog-Footman's nose as he stares at the sky

    The flying plate

    At this moment the door of the house opened, and a large plate came skimming out, straight at the Footman’s head: it just grazed his nose, and broke to pieces against one of the trees behind him.

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  9. The plate has just smashed against the tree behind him.

    As if nothing happened

    “Are you to get in at all?” said the Footman. “That’s the first question, you know.”

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  10. Alice stands in front of the tall shut door of the tiny house with her arms folded tight.

    Alice mutters

    It was, no doubt: only Alice did not like to be told so. “It’s really dreadful,” she muttered to herself, “the way all the creatures argue. It’s enough to drive one crazy!”

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  11. The Frog-Footman leans back against the Duchess's little stone house and whistles at the sky.

    The Footman whistles

    “Anything you like,” said the Footman, and began whistling.

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  12. Alice has given up on the Footman.

    Alice opens the door

    “Oh, there’s no use in talking to him,” said Alice desperately: “he’s perfectly idiotic!” And she opened the door and went in.

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  13. Alice steps over the threshold into the Duchess's kitchen, which is full of pepper smoke.

    The smoky kitchen

    The door led right into a large kitchen, which was full of smoke from one end to the other: the Duchess was sitting on a three-legged stool in the middle, nursing a baby; the cook was leaning over the fire, stirring a large cauldron which seemed to be full of soup.

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  14. In the Duchess's smoky kitchen, Alice doubles over sneezing in a cloud of grey pepper

    Alice sneezes

    “There’s certainly too much pepper in that soup!” Alice said to herself, as well as she could for sneezing.

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  15. The Cheshire Cat is the one calm creature in the Duchess's peppery kitchen.

    The grinning cat

    There was certainly too much of it in the air. Even the Duchess sneezed occasionally; and as for the baby, it was sneezing and howling alternately without a moment’s pause. The only things in the kitchen that did not sneeze, were the cook, and a large cat which was sitting on the hearth and grinning from ear to ear.

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  16. Tiny Alice timidly asks the huge, sour Duchess why her cat grins, in a kitchen thick with pepper.

    Alice asks politely

    “Please would you tell me,” said Alice, a little timidly, for she was not quite sure whether it was good manners for her to speak first, “why your cat grins like that?”

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  17. The Duchess bellows Pig! at the howling baby, and tiny Alice jumps clean off the floor

    "Pig!"

    She said the last word with such sudden violence that Alice quite jumped; but she saw in another moment that it was addressed to the baby, and not to her, so she took courage, and went on again:—

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  18. In the smoky kitchen, the Duchess sourly brushes off Alice's surprise, eyes on the baby

    They all can

    “They all can,” said the Duchess; “and most of ’em do.”

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  19. Alice, nine inches tall, stands at the foot of the Duchess's stool in the smoky kitchen.

    You don't know much

    “You don’t know much,” said the Duchess; “and that’s a fact.”

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  20. Pots, plates and fire-irons fly at the Duchess, who ignores them as the baby howls

    The cook's barrage

    Alice did not at all like the tone of this remark, and thought it would be as well to introduce some other subject of conversation. While she was trying to fix on one, the cook took the cauldron of soup off the fire, and at once set to work throwing everything within her reach at the Duchess and the baby—the fire-irons came first; then followed a shower of saucepans, plates, and dishes. The Duchess took no notice of them even when they hit her; and the baby was howling so much already, that it was quite impossible to say whether the blows hurt it or not.

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  21. In the Duchess's peppery kitchen, a huge saucepan flies within an inch of the howling baby's nose.

    His precious nose

    “Oh, please mind what you’re doing!” cried Alice, jumping up and down in an agony of terror. “Oh, there goes his precious nose!” as an unusually large saucepan flew close by it, and very nearly carried it off.

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  22. Nine-inch Alice, among broken china, lectures the sour Duchess on the earth's axis

    Alice shows off

    “Which would not be an advantage,” said Alice, who felt very glad to get an opportunity of showing off a little of her knowledge. “Just think of what work it would make with the day and night! You see the earth takes twenty-four hours to turn round on its axis—”

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  23. The Duchess leans down and jabs a finger at tiny Alice: Chop off her head!

    Chop off her head

    “Talking of axes,” said the Duchess, “chop off her head!”

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  24. After the Duchess's order to chop off her head, tiny Alice glances anxiously at the cook

    A glance at the cook

    Alice glanced rather anxiously at the cook, to see if she meant to take the hint; but the cook was busily stirring the soup, and seemed not to be listening, so she went on again: “Twenty-four hours, I think; or is it twelve? I—”

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  25. On her stool, the Duchess sings a rough lullaby, shaking the howling baby at every line

    The rough lullaby

    “Oh, don’t bother me,” said the Duchess; “I never could abide figures!” And with that she began nursing her child again, singing a sort of lullaby to it as she did so, and giving it a violent shake at the end of every line:

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  26. The Duchess bellows the second verse and flings the howling baby high into the air

    Tossed up and down

    While the Duchess sang the second verse of the song, she kept tossing the baby violently up and down, and the poor little thing howled so, that Alice could hardly hear the words:—

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  27. The Duchess flings the howling baby at Alice and strides off to her croquet.

    The baby flung

    “Here! you may nurse it a bit, if you like!” the Duchess said to Alice, flinging the baby at her as she spoke. “I must go and get ready to play croquet with the Queen,” and she hurried out of the room. The cook threw a frying-pan after her as she went out, but it just missed her.

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  28. Tiny Alice staggers holding the snorting baby, its arms and legs out like a star-fish

    Like a star-fish

    Alice caught the baby with some difficulty, as it was a queer-shaped little creature, and held out its arms and legs in all directions, “just like a star-fish,” thought Alice. The poor little thing was snorting like a steam-engine when she caught it, and kept doubling itself up and straightening itself out again, so that altogether, for the first minute or two, it was as much as she could do to hold it.

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  29. Alice carries the knotted baby out of the smoky kitchen into the sunny May wood

    Out into the air

    As soon as she had made out the proper way of nursing it, (which was to twist it up into a sort of knot, and then keep tight hold of its right ear and left foot, so as to prevent its undoing itself,) she carried it out into the open air. “If I don’t take this child away with me,” thought Alice, “they’re sure to kill it in a day or two: wouldn’t it be murder to leave it behind?” She said the last words out loud, and the little thing grunted in reply (it had left off sneezing by this time). “Don’t grunt,” said Alice; “that’s not at all a proper way of expressing yourself.”

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  30. In the leafy shade of the wood, Alice bends over the baby she carried out of the Duchess's kitchen.

    A very turn-up nose

    The baby grunted again, and Alice looked very anxiously into its face to see what was the matter with it. There could be no doubt that it had a very turn-up nose, much more like a snout than a real nose; also its eyes were getting extremely small for a baby: altogether Alice did not like the look of the thing at all. “But perhaps it was only sobbing,” she thought, and looked into its eyes again, to see if there were any tears.

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  31. Alice finds no tears in the baby's small dry eyes above its turned-up snout

    No tears

    No, there were no tears. “If you’re going to turn into a pig, my dear,” said Alice, seriously, “I’ll have nothing more to do with you. Mind now!” The poor little thing sobbed again (or grunted, it was impossible to say which), and they went on for some while in silence.

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  32. In the May wood, Alice looks down at the baby in her arms, now a small pink pig

    Neither more nor less

    Alice was just beginning to think to herself, “Now, what am I to do with this creature when I get it home?” when it grunted again, so violently, that she looked down into its face in some alarm. This time there could be no mistake about it: it was neither more nor less than a pig, and she felt that it would be quite absurd for her to carry it further.

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  33. Alice sets the little creature down in the May wood and watches the pig trot off

    The pig trots away

    So she set the little creature down, and felt quite relieved to see it trot away quietly into the wood. “If it had grown up,” she said to herself, “it would have made a dreadfully ugly child: but it makes rather a handsome pig, I think.” And she began thinking over other children she knew, who might do very well as pigs, and was just saying to herself, “if one only knew the right way to change them—” when she was a little startled by seeing the Cheshire Cat sitting on a bough of a tree a few yards off.

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  34. Alice is only nine inches tall and stands in the long May grass of the wood.

    The Cat on the bough

    So she set the little creature down, and felt quite relieved to see it trot away quietly into the wood. “If it had grown up,” she said to herself, “it would have made a dreadfully ugly child: but it makes rather a handsome pig, I think.” And she began thinking over other children she knew, who might do very well as pigs, and was just saying to herself, “if one only knew the right way to change them—” when she was a little startled by seeing the Cheshire Cat sitting on a bough of a tree a few yards off.

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  35. Up close on the low bough, the Cheshire Cat grins at Alice.

    Claws and teeth

    The Cat only grinned when it saw Alice. It looked good-natured, she thought: still it had very long claws and a great many teeth, so she felt that it ought to be treated with respect.

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  36. Tiny Alice in the tall grass politely asks the grinning Cheshire Cat which way to go

    Cheshire Puss

    “Cheshire Puss,” she began, rather timidly, as she did not at all know whether it would like the name: however, it only grinned a little wider. “Come, it’s pleased so far,” thought Alice, and she went on. “Would you tell me, please, which way I ought to go from here?”

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  37. Tiny Alice stands where paths meet and looks up at the Cheshire Cat on his low bough

    Which way to go

    “That depends a good deal on where you want to get to,” said the Cat.

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  38. Alice explains that she only wants to get somewhere, and the Cat's easy reply leaves her puzzled.

    So long as somewhere

    “Oh, you’re sure to do that,” said the Cat, “if you only walk long enough.”

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  39. The Cheshire Cat sits on a low bough with both front paws spread like the arms of a signpost.

    Hatter this way, Hare that

    “In that direction,” the Cat said, waving its right paw round, “lives a Hatter: and in that direction,” waving the other paw, “lives a March Hare. Visit either you like: they’re both mad.”

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  40. Grinning on his bough, the Cheshire Cat tells Alice there's no escaping madness

    We're all mad here

    “Oh, you can’t help that,” said the Cat: “we’re all mad here. I’m mad. You’re mad.”

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  41. Alice stands in the long grass with her hands on her hips and protests that she is not mad.

    How do you know?

    “You must be,” said the Cat, “or you wouldn’t have come here.”

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  42. Seen past the Cheshire Cat's striped shoulder, the Cat begins its proof of madness

    A dog's not mad

    “To begin with,” said the Cat, “a dog’s not mad. You grant that?”

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  43. A close-up of the Cheshire Cat's striped tail, which swings off the bough in one slow, lazy curl.

    Wag when angry

    “Well, then,” the Cat went on, “you see, a dog growls when it’s angry, and wags its tail when it’s pleased. Now I growl when I’m pleased, and wag my tail when I’m angry. Therefore I’m mad.”

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  44. Alice shrugs and tells the Cheshire Cat she hasn't been invited to the Queen's croquet

    Croquet with the Queen

    “I should like it very much,” said Alice, “but I haven’t been invited yet.”

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  45. The Cheshire Cat has just said "You'll see me there" and vanished.

    The empty bough

    “You’ll see me there,” said the Cat, and vanished.

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  46. Nine-inch Alice watches the Cheshire Cat reappear whole on his low bough

    It appears again

    Alice was not much surprised at this, she was getting so used to queer things happening. While she was looking at the place where it had been, it suddenly appeared again.

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  47. In the long grass, Alice tells the grinning Cheshire Cat the baby turned into a pig

    It turned into a pig

    “It turned into a pig,” Alice quietly said, just as if it had come back in a natural way.

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  48. The Cat has vanished again and left an empty bough.

    Gone again

    “I thought it would,” said the Cat, and vanished again.

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  49. On her way to the March Hare's house, Alice finds the Cheshire Cat on a branch ahead

    There again on a branch

    Alice waited a little, half expecting to see it again, but it did not appear, and after a minute or two she walked on in the direction in which the March Hare was said to live. “I’ve seen hatters before,” she said to herself; “the March Hare will be much the most interesting, and perhaps as this is May it won’t be raving mad—at least not so mad as it was in March.” As she said this, she looked up, and there was the Cat again, sitting on a branch of a tree.

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  50. Alice presses a hand to her forehead and tells the Cheshire Cat, "I said pig."

    Pig or fig

    “I said pig,” replied Alice; “and I wish you wouldn’t keep appearing and vanishing so suddenly: you make one quite giddy.”

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  51. The Cheshire Cat sits on a low bough and slowly vanishes, tail first.

    Vanishing slowly

    “All right,” said the Cat; and this time it vanished quite slowly, beginning with the end of the tail, and ending with the grin, which remained some time after the rest of it had gone.

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  52. Alice stands still in the long grass and gazes up in hushed wonder at the Cheshire Cat's grin.

    A grin without a cat

    “Well! I’ve often seen a cat without a grin,” thought Alice; “but a grin without a cat! It’s the most curious thing I ever saw in my life!”

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  53. Alice looks up at the March Hare's huge house with hare-ear chimneys and a fur roof

    The March Hare's house

    She had not gone much farther before she came in sight of the house of the March Hare: she thought it must be the right house, because the chimneys were shaped like ears and the roof was thatched with fur. It was so large a house, that she did not like to go nearer till she had nibbled some more of the lefthand bit of mushroom, and raised herself to about two feet high: even then she walked up towards it rather timidly, saying to herself “Suppose it should be raving mad after all! I almost wish I’d gone to see the Hatter instead!”

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  54. Two-foot-tall Alice walks timidly towards the March Hare's huge house

    Nibbling for courage

    She had not gone much farther before she came in sight of the house of the March Hare: she thought it must be the right house, because the chimneys were shaped like ears and the roof was thatched with fur. It was so large a house, that she did not like to go nearer till she had nibbled some more of the lefthand bit of mushroom, and raised herself to about two feet high: even then she walked up towards it rather timidly, saying to herself “Suppose it should be raving mad after all! I almost wish I’d gone to see the Hatter instead!”

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  55. Chapter 6

    The Duchess's Kitchen and the Grinning Cat

    Next chapter: The endless tea-party and the way into the garden Read this chapter