1. A wide view of Gatsby's huge mansion on a summer morning, Nick's bungalow beside it

    The mansion one morning

    About this time an ambitious young reporter from New York arrived one morning at Gatsby’s door and asked him if he had anything to say.

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  2. On Lake Superior's empty shore, 17-year-old James Gatz stands by a borrowed rowboat

    Gatz on the beach

    James Gatz—that was really, or at least legally, his name. He had changed it at the age of seventeen and at the specific moment that witnessed the beginning of his career—when he saw Dan Cody’s yacht drop anchor over the most insidious flat on Lake Superior. It was James Gatz who had been loafing along the beach that afternoon in a torn green jersey and a pair of canvas pants, but it was already Jay Gatsby who borrowed a rowboat, pulled out to the Tuolomee, and informed Cody that a wind might catch him and break him up in half an hour.

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  3. In a borrowed rowboat, barefoot James Gatz smiles up at Dan Cody on the Tuolomee

    Looking up at the rail

    To young Gatz, resting on his oars and looking up at the railed deck, that yacht represented all the beauty and glamour in the world. I suppose he smiled at Cody—he had probably discovered that people liked him when he smiled. At any rate Cody asked him a few questions (one of them elicited the brand new name) and found that he was quick and extravagantly ambitious. A few days later he took him to Duluth and bought him a blue coat, six pairs of white duck trousers, and a yachting cap. And when the Tuolomee left for the West Indies and the Barbary Coast, Gatsby left too.

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  4. Gatsby leans over the marble table and tells Tom Buchanan he knows his wife

    I know your wife

    “I know your wife,” continued Gatsby, almost aggressively.

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  5. Gatsby gives Nick a hopeful, questioning look, wanting to accept the supper invitation

    A questioning look

    Gatsby looked at me questioningly. He wanted to go and he didn’t see that Mr. Sloane had determined he shouldn’t.

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  6. Gatsby steps out, dressed to follow riders already vanishing under the August trees

    Hat and overcoat in hand

    Tom and I shook hands, the rest of us exchanged a cool nod, and they trotted quickly down the drive, disappearing under the August foliage just as Gatsby, with hat and light overcoat in hand, came out the front door.

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  7. Daisy and Gatsby slip away from the party to sit close on Nick's steps for half an hour

    On Nick's steps

    Daisy and Gatsby danced. I remember being surprised by his graceful, conservative foxtrot—I had never seen him dance before. Then they sauntered over to my house and sat on the steps for half an hour, while at her request I remained watchfully in the garden. “In case there’s a fire or a flood,” she explained, “or any act of God.”

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  8. Under the white-plum tree, the film director stoops a final degree toward his Star.

    One ultimate degree

    It was like that. Almost the last thing I remember was standing with Daisy and watching the moving-picture director and his Star. They were still under the white-plum tree and their faces were touching except for a pale, thin ray of moonlight between. It occurred to me that he had been very slowly bending toward her all evening to attain this proximity, and even while I watched I saw him stoop one ultimate degree and kiss at her cheek.

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  9. Daisy looks back from Gatsby's marble steps at the lit, empty doorway as a waltz plays

    Calling her back inside

    Her glance left me and sought the lighted top of the steps, where “Three O’Clock in the Morning,” a neat, sad little waltz of that year, was drifting out the open door. After all, in the very casualness of Gatsby’s party there were romantic possibilities totally absent from her world. What was it up there in the song that seemed to be calling her back inside? What would happen now in the dim, incalculable hours? Perhaps some unbelievable guest would arrive, a person infinitely rare and to be marvelled at, some authentically radiant young girl who with one fresh glance at Gatsby, one moment of magical encounter, would blot out those five years of unwavering devotion.

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  10. An extreme close-up of Gatsby's face at the instant Nick says the past can't be repeated.

    Of course you can

    “Can’t repeat the past?” he cried incredulously. “Why of course you can!”

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  11. Under the autumn moon in Louisville, Daisy Fay lifts her face to the young lieutenant's

    Before the kiss

    His heart beat faster as Daisy’s white face came up to his own. He knew that when he kissed this girl, and forever wed his unutterable visions to her perishable breath, his mind would never romp again like the mind of God. So he waited, listening for a moment longer to the tuning-fork that had been struck upon a star. Then he kissed her. At his lips’ touch she blossomed for him like a flower and the incarnation was complete.

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  12. Deep in the August night, Nick's lips part as a half-remembered phrase almost forms.

    Lips parted, no sound

    Through all he said, even through his appalling sentimentality, I was reminded of something—an elusive rhythm, a fragment of lost words, that I had heard somewhere a long time ago. For a moment a phrase tried to take shape in my mouth and my lips parted like a dumb man’s, as though there was more struggling upon them than a wisp of startled air. But they made no sound, and what I had almost remembered was uncommunicable forever.

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  13. Chapter 10

    Can't repeat the past? Of course you can!

    Next chapter: Heat at the Buchanans’ and the Drive to Town Read this chapter