1. On a hazy summer afternoon in 1922, the white Plaza Hotel rises over Fifth Avenue

    The Plaza on Fifth Avenue

    One October day in nineteen-seventeen—

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  2. In the Plaza's gilded tea-garden, Jordan Baker sits very straight and begins her story

    Jordan at the tea table

    (said Jordan Baker that afternoon, sitting up very straight on a straight chair in the tea-garden at the Plaza Hotel)

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  3. Louisville, October 1917: Daisy Fay and Lieutenant Jay Gatsby sit in her white roadster

    Engrossed in the roadster

    When I came opposite her house that morning her white roadster was beside the kerb, and she was sitting in it with a lieutenant I had never seen before. They were so engrossed in each other that she didn’t see me until I was five feet away.

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  4. In Daisy's white roadster, a young lieutenant gazes at her while she talks to Jordan

    The officer's look

    I was flattered that she wanted to speak to me, because of all the older girls I admired her most. She asked me if I was going to the Red Cross to make bandages. I was. Well, then, would I tell them that she couldn’t come that day? The officer looked at Daisy while she was speaking, in a way that every young girl wants to be looked at sometime, and because it seemed romantic to me I have remembered the incident ever since. His name was Jay Gatsby, and I didn’t lay eyes on him again for over four years—even after I’d met him on Long Island I didn’t realize it was the same man.

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  5. Before her wedding, drunk Daisy pulls Tom's pearls from a wastebasket, gripping a letter

    Pearls from the wastebasket

    “Here, dearies.” She groped around in a wastebasket she had with her on the bed and pulled out the string of pearls. “Take ’em downstairs and give ’em back to whoever they belong to. Tell ’em all Daisy’s change’ her mine. Say: ‘Daisy’s change’ her mine!’ ”

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  6. Daisy's letter lies in the soap-dish as a sodden ball, falling apart like snow

    Letter like snow

    She began to cry—she cried and cried. I rushed out and found her mother’s maid, and we locked the door and got her into a cold bath. She wouldn’t let go of the letter. She took it into the tub with her and squeezed it up in a wet ball, and only let me leave it in the soap-dish when she saw that it was coming to pieces like snow.

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  7. The story is over and the open victoria rolls slowly through Central Park in the hot violet dusk.

    Victoria in the twilight

    When Jordan Baker had finished telling all this we had left the Plaza for half an hour and were driving in a victoria through Central Park. The sun had gone down behind the tall apartments of the movie stars in the West Fifties, and the clear voices of children, already gathered like crickets on the grass, rose through the hot twilight:

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  8. Nick remembers the June night on the lawn in West Egg.

    Arms toward the green light

    Then it had not been merely the stars to which he had aspired on that June night. He came alive to me, delivered suddenly from the womb of his purposeless splendour.

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  9. In the open victoria at dusk, Nick turns to Jordan, stunned by how small Gatsby's request is.

    The modest request

    The modesty of the demand shook me. He had waited five years and bought a mansion where he dispensed starlight to casual moths—so that he could “come over” some afternoon to a stranger’s garden.

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  10. Night in Central Park: in the open victoria, Nick draws Jordan up close to his face a second time.

    Drawn up to his face

    We passed a barrier of dark trees, and then the façade of Fifty-Ninth Street, a block of delicate pale light, beamed down into the park. Unlike Gatsby and Tom Buchanan, I had no girl whose disembodied face floated along the dark cornices and blinding signs, and so I drew up the girl beside me, tightening my arms. Her wan, scornful mouth smiled, and so I drew her up again closer, this time to my face.

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  11. Chapter 8

    Jordan tells the story of Daisy and Gatsby

    Next chapter: The Reunion at Tea Read this chapter