1. At midday the valley of ashes lies grey under a white glare.

    Valley of ashes at noon

    “Did you see that?” demanded Tom.

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  2. Three people crammed on the yellow car's front seat cross the valley of ashes

    Did you see that

    “Did you see that?” demanded Tom.

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  3. Three people ride in the front seat of Gatsby's yellow car in hot, irritable silence.

    Eckleburg down the road

    We were all irritable now with the fading ale, and aware of it we drove for a while in silence. Then as Doctor T. J. Eckleburg’s faded eyes came into sight down the road, I remembered Gatsby’s caution about gasoline.

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  4. The yellow car skids to a stop in the dust under Wilson's sign.

    Dusty stop at Wilson's

    Tom threw on both brakes impatiently, and we slid to an abrupt dusty stop under Wilson’s sign. After a moment the proprietor emerged from the interior of his establishment and gazed hollow-eyed at the car.

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  5. At Wilson's pump in the midday glare, Tom jerks round in the driver's seat.

    Your wife does

    “Your wife does,” exclaimed Tom, startled.

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  6. At Wilson's garage, Nick looks from the grey, hunched Wilson to Tom, flushed at the wheel

    The sick and the well

    The relentless beating heat was beginning to confuse me and I had a bad moment there before I realized that so far his suspicions hadn’t alighted on Tom. He had discovered that Myrtle had some sort of life apart from him in another world, and the shock had made him physically sick. I stared at him and then at Tom, who had made a parallel discovery less than an hour before—and it occurred to me that there was no difference between men, in intelligence or race, so profound as the difference between the sick and the well. Wilson was so sick that he looked guilty, unforgivably guilty—as if he had just got some poor girl with child.

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  7. Myrtle Wilson moves the upstairs curtain aside and stares down at the yellow car

    Myrtle peering down

    In one of the windows over the garage the curtains had been moved aside a little, and Myrtle Wilson was peering down at the car. So engrossed was she that she had no consciousness of being observed, and one emotion after another crept into her face like objects into a slowly developing picture. Her expression was curiously familiar—it was an expression I had often seen on women’s faces, but on Myrtle Wilson’s face it seemed purposeless and inexplicable until I realized that her eyes, wide with jealous terror, were fixed not on Tom, but on Jordan Baker, whom she took to be his wife.

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  8. From behind a curtain above the garage, Myrtle Wilson stares down at the yellow car

    Jealous terror

    In one of the windows over the garage the curtains had been moved aside a little, and Myrtle Wilson was peering down at the car. So engrossed was she that she had no consciousness of being observed, and one emotion after another crept into her face like objects into a slowly developing picture. Her expression was curiously familiar—it was an expression I had often seen on women’s faces, but on Myrtle Wilson’s face it seemed purposeless and inexplicable until I realized that her eyes, wide with jealous terror, were fixed not on Tom, but on Jordan Baker, whom she took to be his wife.

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  9. Tom Buchanan grips the wheel of the yellow car under the elevated's girders.

    Hot whips of panic

    There is no confusion like the confusion of a simple mind, and as we drove away Tom was feeling the hot whips of panic. His wife and his mistress, until an hour ago secure and inviolate, were slipping precipitately from his control. Instinct made him step on the accelerator with the double purpose of overtaking Daisy and leaving Wilson behind, and we sped along toward Astoria at fifty miles an hour, until, among the spidery girders of the elevated, we came in sight of the easygoing blue coupé.

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  10. At the wheel of the yellow car, Tom twists round to look for the blue coupé behind him

    Looking back

    Several times he turned his head and looked back for their car, and if the traffic delayed them he slowed up until they came into sight. I think he was afraid they would dart down a side-street and out of his life forever.

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  11. Five people stand apart in a stifling Plaza Hotel parlour on a white-hot afternoon.

    The suite parlour

    But they didn’t. And we all took the less explicable step of engaging the parlour of a suite in the Plaza Hotel.

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  12. Chapter 12

    Stop at Wilson's garage, road to the Plaza

    Next chapter: The Showdown in the Hotel Suite Read this chapter